COLOUR GREAT
“When I tell people I’m a Colourist, they’ll often ask me what I think of their hair colour.” It’s a funny anecdote, but is…
“When I tell people I’m a Colourist, they’ll often ask me what I think of their hair colour.” It’s a funny anecdote, but is…
The budget is huge, the stakes are high and the pressures are enormous. AT goes behind the scenes to understand what it takes to…
If ‘no cameras were harmed during the production of this film’ was a title, it’s not one you could apply to Wolf Creek 2. The…
Spearheading the next generation of feature film editors is Sean Lahiff, recently finished up on Wolf Creek 2 and already setting his sights on the…
It’s no longer just the 80s classic toys that are made in China, but the Hasbro/Paramount blockbuster’s latest chapter was also partially shot there and is…
Writer/Director Chris Kenneally discusses the making of Side by Side in this interview by Alexandros Maragos for his blog Momentum. In this video, Chris Keneally…
For the uninitiated, Visual Effects can be a terrifying minefield of tricky maths and superfast computers. But if you can grasp the basic principles,…
In this Cinematography Profile, Oscar-nominated cinematographer Phedon Papamichael, ASC, GSC discusses his early years, his first films, his shooting style, his collaboration with Alexander…
Welcome to the new Dolby Atmos mix theatre in Soundfirm’s Melbourne studios. Story by Christopher Holder When Roger Savage was preparing to move into…
The last 15 years of has seen some dramatic changes in audio production and even more with sound in post. Despite the love of…