Features

Shooting with Smartpones

Look out Red, look out Alexa, there’s a new kid on the block and she’s called iPhone… Story by David Hague   Okay, so…

Great White Shark – IMAX

A small band of filmmakers and scientists take shooting to new extremes to support the shark conservation efforts of Oceana and WildAid, and see…

Settling the Score

Getting the Most out of Working with – or Without – a Composer By Robert Clark   James Horner had a public spat with…

Hair in the Gate

A new column By Matt Quartermaine   I grew up in the cinemas of the 1970s. While others played sport or practised bombies in…

LABOURS OF LOVE

By: Jen Temm A pathway for emerging filmmakers and a playground for the established, the music video genre has slumped as an earner since…

NO EASY WAY OUT

  By: Jen Temm Torching the set for the final camera pass was a cathartic end to the nine-month gestation for Gotye’s head spinning…

REFIRING THE HUNGER GAMES

Despite taking the reins of one of the most successful movie brands of recent times, director Francis Lawrence didn’t break a sweat when Video&Filmmaker…

Putting Stars In Space

One question that strikes cine-literate viewers during the awe-inspiring and terrifying exterior scenes of Alfonso Cuaron’s Gravity is how exactly they were done? Drew…

Battling Gravity

As far as training sequences go the Zero G battle chamber of Ender’s Game is one of the most visually sweeping and operatic locations…