Features

Settling the Score

Getting the Most out of Working with – or Without – a Composer By Robert Clark   James Horner had a public spat with…

Hair in the Gate

A new column By Matt Quartermaine   I grew up in the cinemas of the 1970s. While others played sport or practised bombies in…

LABOURS OF LOVE

By: Jen Temm A pathway for emerging filmmakers and a playground for the established, the music video genre has slumped as an earner since…

NO EASY WAY OUT

  By: Jen Temm Torching the set for the final camera pass was a cathartic end to the nine-month gestation for Gotye’s head spinning…

REFIRING THE HUNGER GAMES

Despite taking the reins of one of the most successful movie brands of recent times, director Francis Lawrence didn’t break a sweat when Video&Filmmaker…

Putting Stars In Space

One question that strikes cine-literate viewers during the awe-inspiring and terrifying exterior scenes of Alfonso Cuaron’s Gravity is how exactly they were done? Drew…

Battling Gravity

As far as training sequences go the Zero G battle chamber of Ender’s Game is one of the most visually sweeping and operatic locations…

TUBE GURU – THE NAME GAME

How do you keep your channel engaging, make it easy for new subscribers to find you and grow into new areas? These tips from…

ADR: Pardon My French

Anyone notice something odd about Jodie Foster’s dialogue on Neil Blomkamp’s Elysium?   The reason for the ‘what the heck?’ weirdness was that it…