ON SET: ALEXA and the Master Anamorphics
Cinematographer Matias Boucard recently shot the English-language thriller Don’t Grow Up (currently in post-production) on the ARRI ALEXA 4K cinema camera using the ARRI/Zeiss Master Anamorphics (MA)…
Cinematographer Matias Boucard recently shot the English-language thriller Don’t Grow Up (currently in post-production) on the ARRI ALEXA 4K cinema camera using the ARRI/Zeiss Master Anamorphics (MA)…
Over 25 cameras and solid-state recorders from Camera Corps captured the excitement of 2014 Isle of Man Tourist Trophy motorcycle races during the two-week…
The Point of View documentary showcase on the PBS network recently released the findings of their Documentary Equipment survey, which had some surprising results. Whether you’re a…
Arsenal Media Group (AMG) delivered a three hour live production of the FA Cup trophy parade recently, with a live production workflow built around the ATEM…
Writer/Director Chris Kenneally discusses the making of Side by Side in this interview by Alexandros Maragos for his blog Momentum. In this video, Chris Keneally…
Nutshell Camera Rentals, has become the first company in New Zealand to purchase the new ARRI AMIRA camera. Nutshell Camera Rentals cameraman/DOP Paul Richards…
New York-based Cellist Dane Johansen is embarking on The Walk to Fisterra, a 600-mile musical/walking journey along the Camino de Santiago, a popular pilgrimage…
Manhattan Edit Workshop (MEWShop), the cutting-edge authorized digital training destination for post-production and content creators, will be hosting the Oscar®-winning sound editors behind blockbusters…
FotoKem recently completed the digital intermediate and post production services for the indie film Palo Alto. Working with director/screenwriter Gia Coppola and cinematographer Autumn…
Panasonic has teamed up with Brazilian football superstar, Neymar da Silva Santos Junior, to promote its latest 4K wearable camera, the A500. Panasonic asked…