
SIX DIRECTOR’S TIPS FOR
WORKING WITH COMPOSERS
When it comes to film scoring, so many indie directors leave it to the last minute. Time is spent in pre-production, then casting, shooting…
When it comes to film scoring, so many indie directors leave it to the last minute. Time is spent in pre-production, then casting, shooting…
It was a beautiful autumn day in Queenstown, New Zealand, and from my hotel room I could see the waters of Lake Wanaka stretch…
By: Christopher Holder Picture Courtesy of: Daniel Sievert There’s nothing quite like high-quality audio to give your production a professional sheen. And there’s no time…
Camera Angles and Exposure – or, Don’t Get Cute By: David Fedirchuk – AFTRS Open Program Manager, Industry A long time ago I had…
Sound designer Liam Price takes you through the fundamentals of creating an effective sound design. By: Robert Clark Images: Daniel Sievert “We often…
Primes vs Zooms – it’s a question every filmmaker faces in pre-production. Cost effective zooms often seem like an easy way to go, however,…
Story: David Fedirchuk AFTRS Open Program Manager, Industry Shoot it well and tell and engaging story: nothing has changed over the many years of…
After taking even a cursory glance at the cameras developed for shooting moving film over the last hundred years, or the ones developed for…
Five handy location sound tips from pro recordist, Chris Frith. Story: Robert Clark When you’re a filmmaker there’s so much to think about: locations,…