DPA UNVEILS 4097 MICRO SHOTGUN MICROPHONE AND INTERVIEW KIT

New Solution Gives Journalists a Miking Option that Adheres to Social Distancing Protocols DPA Microphones introduces the latest addition to its microphone lineup, the 4097 CORE Micro Shotgun Microphone. Featuring the same sonic qualities as the brand’s supercardioid Choir Microphone, the 4097 CORE Micro Shotgun has been optimised to pick up speech from a distance.… Continue reading DPA UNVEILS 4097 MICRO SHOTGUN MICROPHONE AND INTERVIEW KIT

Ford v Ferrari Finishes First with Lectrosonics 

“The Lectrosonics gear never fails; it sounds as good as if you’re running cables, and it holds onto frequencies for dear life.” Telling the true story of the Ford Motor Company’s upset racing victory at Le Mans in 1966, Ford v Ferrari (titled Le Mans ’66 in some European countries,) has earned praise for what… Continue reading Ford v Ferrari Finishes First with Lectrosonics 

INTRODUCING THE NTG5 BROADCAST SHOTGUN MICROPHONE 

RØDE Microphones introduces the NTG5, a new addition to its shotgun microphones. Featuring an innovative acoustic port design providing a superior progressive wave interference, ultra-lightweight construction, and crystal clear, broadcast-grade sound, the NTG5 is a new standard in shotgun microphone design aimed at the professional user. Key Features Of The RØDE NTG5: Innovative acoustic design, delivering… Continue reading INTRODUCING THE NTG5 BROADCAST SHOTGUN MICROPHONE 

TASCAM DR-10L LAVALIER & MICRO RECORDER

The one thing that most new filmmakers tend to skimp on, in the rush to get their project completed, is capturing quality sound recording during the shoot. It’s a common mistake that can be impossible to fix in post, even for seasoned post-sound designers. Audio is 50% of your film, and although many audiences fail to notice… Continue reading TASCAM DR-10L LAVALIER & MICRO RECORDER

MIKING THE MADNESS:
SOUND FOR MAD MAX FURY ROAD

Sound recordist Ben Osmo spent six months in Namibia miking up trucks, explosions, mad mutterings, and collisions. Feature: Chris Holder How do you mic up 20 tonnes of nitro-powered War Machine? Good question. How do we send a guide music track to the flame-throwing guitarist on the back of the Doof Wagon, when he’s ‘fanging… Continue reading MIKING THE MADNESS:
SOUND FOR MAD MAX FURY ROAD