LATEST AVID SOLUTIONS GLOW BRIGHTLY AT ENDEMOL SHINE

  According to Director of Post Production & Technical Services Scott Rowan, Endemol Shine Australia has always been one-hundred percent committed to Avid as their editing solution of choice. The Avid solutions have grown and developed in their flexibility and functionality to the point where Endemol Shine Australia now has some of the most unique… Continue reading LATEST AVID SOLUTIONS GLOW BRIGHTLY AT ENDEMOL SHINE

Fair Use in Documentary Films: Two Helpful Rules of Thumb to Help You Navigate Copyright Gray Areas

by Steven D. Zansberg, Ballard Spahr, LLP Using outside footage in your documentary – it’s an effective editing technique that can add relevance to your film. Clips from a newscast, or a montage of different clips edited together can add historical perspective or other impact to a segment. A poignant photo that helps to capture… Continue reading Fair Use in Documentary Films: Two Helpful Rules of Thumb to Help You Navigate Copyright Gray Areas

TUTORIAL: How to organise your edit in Premiere Pro

Finding a rhythm or sequence is difficult enough when editing a project, and having everything close at hand should be the least of your worries – especially when you’re on a deadline. In this short tutorial, TV editor Jeff Bartsch (ABC, NBC, Apple, Disney, Universal, ESPN, and many more) takes you through his tried and… Continue reading TUTORIAL: How to organise your edit in Premiere Pro

TUTORIAL: Essential editing time saver in Adobe Premiere Pro

Whether on the road, on the fly, or punching a deadline, efficiency when editing is always important. Luckily, Adobe Premiere Pro CC 2018 has just the trick to save you time whenever that might be, through a simple tool called Audio Ducking. In this video tutorial, Jonathan J Scott takes you through how you can… Continue reading TUTORIAL: Essential editing time saver in Adobe Premiere Pro

TUTORIAL – HOW TO MAKE YOUR VIDEO FOOTAGE LOOK LIKE FILM STOCK

These days most almost everything is shot in digital, which is no surprise considering how much cheaper it is compared to celluloid film stock. In fact, it’s so popular that there’s only a handful of places left where you can get celluloid developed. But with all of the benefits of digital, there’s still the major… Continue reading TUTORIAL – HOW TO MAKE YOUR VIDEO FOOTAGE LOOK LIKE FILM STOCK

MOTION ARRAY – A MARKETPLACE FOR FILMMAKERS & CREATIVES

Motion Array is a marketplace for video producers and designers with a twist. Creative marketplaces are no new thing. Many video producers rely on them heavily to make their job easier, and to save time and money. So, why give Motion Array a look when there are several other options out there? Well, here are… Continue reading MOTION ARRAY – A MARKETPLACE FOR FILMMAKERS & CREATIVES

HOW DOES AN EDITOR KNOW WHEN TO CUT

Every film has a story to tell and every director has a unique voice in which to tell that story. They get financing, cast their actors, gather together their crew and shoot their film. But, it’s within the editing suite where the story is developed (once, quite literally) and told. Now that films are shot digitally, the… Continue reading HOW DOES AN EDITOR KNOW WHEN TO CUT

RED GIANT – SPRING SALE

Red Giant’s annual Spring sale starts in a few days so now’s the time to grab yourself a copy of Trapcode Suite or any number of the company’s other plugins. The sale will run for only 24-hours, and begins at 8:00AM PDT on Tuesday, April 12th, 2016, finishing at 8AM on April 13th. All of… Continue reading RED GIANT – SPRING SALE