FUJIFILM has just released the Premista 28- 100mm T2.9, the standard zoom lens of the new Premista Series the company announced on April 3, 2019. The Premista 28-100mm T2.9 is a zoom lens for high-performance cinema cameras and supports a large-format sensor. It covers focal lengths of 28 to 100mm. By combining a large-aperture aspherical… Continue reading FUJIFILM launches new cine lenses at NAB 2019
Category: Cinematography
Canon launches Sumire Prime series with seven new PL-mount cinema prime lenses
Bolstering Canon’s cinematography offering, the new lenses – CN-E14mm T3.1 FP X, CN-E20mm T1.5 FP X, CN-E24mm T1.5 FP X, CN-E35mm T1.5 FP X, CN-E50mm T1.3 FP X, CN-E85mm T1.3 FP X and CN-E135mm T2.2 FP X – are compatible with any PL mount cinema camera equipped with either a 35mm full-frame format… Continue reading Canon launches Sumire Prime series with seven new PL-mount cinema prime lenses
PR: Blackmagic Design Announces New URSA Mini Pro G2 Camera
Blackmagic Design today announced URSA Mini Pro 4.6K G2, a second generation URSA Mini Pro camera featuring fully redesigned electronics and a new Super 35mm 4.6K image sensor with 15 stops of dynamic range that combine to support high frame rate shooting at up to 300 frames per second. In addition, URSA Mini Pro 4.6K… Continue reading PR: Blackmagic Design Announces New URSA Mini Pro G2 Camera
Fuji X series mirrorless cameras combined with the VIEW Intervalometer makes it easy to achieve the holy-grail of time-lapse
Timelapse+, a leader in developing hardware and software tools for time-lapse professionals is now excited to announce support for Fuji X series cameras and the Timelapse+ VIEW intervalometer. The Timelapse+ VIEW is a breakthrough intervalometer for cinematographers and photographers that allows for automatic bulb ramping, live time-lapse preview, touch-free gesture controls, and full-control of settings… Continue reading Fuji X series mirrorless cameras combined with the VIEW Intervalometer makes it easy to achieve the holy-grail of time-lapse
Sigma Ships 70-200mm F2.8 DG OS HSM Sports Lens
Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, has announced the pricing and availability of the highly anticipated Sports line addition announced at Photokina – the new flagship large-aperture telephoto zoom Sigma 70-200mm F2.8 DG OS HSM Sports. The new lens to complete the Sigma F2.8 zoom… Continue reading Sigma Ships 70-200mm F2.8 DG OS HSM Sports Lens
Meet Newton S2 – The world’s most discreet and cost-efficient stabilised head supporting unlimited pan and 4K broadcast
NEWTON has since 2015 become among the world’s most entrusted systems for TV broadcast from remote moving platforms. Now, they have launched NEWTON S2 Fiber, enabling unlimited pan during 4K broadcast with box cameras including Sony P43, P50 and Grass Valley LDX C86. The compact features and high performance stabilization of NEWTON bring flexibility and allow… Continue reading Meet Newton S2 – The world’s most discreet and cost-efficient stabilised head supporting unlimited pan and 4K broadcast
Weezer’s Africa Music Video Shot Using Blackmagic RAW and URSA Mini Pro
Blackmagic Design today announced Weezer’s new music video for their hit song “Africa” was shot using an URSA Mini Pro with the newly announced Blackmagic RAW codec. Post production, including grading and editing, was done using DaVinci Resolve Studio. Directed by Crush Music’s Jade Ehlers and Brendan Walter, the video is for the band’s hit… Continue reading Weezer’s Africa Music Video Shot Using Blackmagic RAW and URSA Mini Pro
Sony FS7 II shoots The Ultimate Ride
Earlier this year Edgard Ferreira, Managing Director of Bondi Films, undertook an amazing project called The Ultimate Ride that would see a motorcycle team travel all the way to Lake Gairdner in South Australia on the search for speed records and adventure. What was produced as a result was a doco shot primarily on the Sony FS7… Continue reading Sony FS7 II shoots The Ultimate Ride
Matrox Announces Highest Density 12G SDI I/O Cards for Multi-Channel 4K and HDR
Matrox® Video has announced two new additions to its industry-leading developer product portfolio: Matrox X.mio5 12G, a multi-channel SDI I/O card with onboard video processing, and Matrox DSX LE5 12G, a multi-channel SDI I/O card. The developer cards are the first to offer reconfigurable, high-density 12G/3G SDI connectivity, enabling OEMs to build advanced broadcast media and entertainment… Continue reading Matrox Announces Highest Density 12G SDI I/O Cards for Multi-Channel 4K and HDR
‘Lost Generation’ – Blackmagic Design Pocket Cinema Camera 4K video
Munich based Directors Duo recently tested the high speed performance of the Blackmagic Pocket Cinema Camera 4K using variable frame rates and prime lenses. Filmmakers Benjamin Kratzin and Christopher Schlierf shot ‘Lost Generation’ in LA and cast Johannes Bartl. Blackmagic Pocket Cinema Camera 4K RAW, Olympus 12-40mm M.Zuiko f/2.8 lens and Voigtlander Primes, AngelBird SSD2GO… Continue reading ‘Lost Generation’ – Blackmagic Design Pocket Cinema Camera 4K video